Dogg's Hamlet, Cahoot's Macbeth
by Tom Stoppard
Whistler in the Dark Theatre
2011@ The Boston Center for the Arts
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Eliot Norton Awards nomination: Outstanding Director Small/Fringe Theater
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Hubbie Award Best Performance (Aimee Rose Ranger, Nathaniel Gundy)
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Hubbie Award Best Lighting Design (PJ Strachman)
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IRNE Award nomination Best Play Fringe
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DigBoston Best Plays of 2011
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Boston Phoenix Best Plays of 2011
Dominoes, et dominoes, et dominoes, Popsies historical axle-grease, exacts bubbly fins crock lavender...
Two short plays divided by a comma but united by common themes.
In the first play, three students are setting up for their production of a fifteen-minute Hamlet to be performed in its original language. The catch? These students speak Dogg - a language comprised of English words but with different meanings. But when an English-speaking delivery man arrives with their set components, both languages break down and new ways of communication must be devised. Capped off with a hilarious 15-minute Hamlet, this is Stoppard at his word-playing gleeful best.
In the second play, renegade actors stage a secret performance of Shakespeare’s Macbeth that becomes a stark and moving metaphor for resistance in a time of censorship. Whistler in the Dark is thrilled to present this linguist’s delight - an evening of word-wizardry from the writer of Rosencrantz and Guildenstern are Dead and Arcadia.

Jen O'Connor, Michael Underhill and Chris Larson

Chris Larson


Jen O'Connor, Michael Underhill and Chris Larson